Lyrics uptown girl billy joel
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The OP is very charitable about reading it, ‘7 Days’ style, as a lad bragging to other lads I heard it all along as an entitled dick congratulating himself on scoring a top model, and it turns out I was right – BJ says so himself, in comments (forgot the number, sorry). I loathed this with a passion, partly because of the astonishingly awful message & partly because it was so damn catchy. Still a good song though – another 8/10.įinally: I love “We Didn’t Start The Fire”! Never understood it’s haters – I’ve always found it catchy and clever. #63 Agree: I’ve always thought it strange that “Tell Her About It” was one of his only three US #1’s. Unfortunate that in real life the uptown girl story had an ultimate sour ending :( Not my personal favorite Joel tune but good enough for 8/10.
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I’m definitely in the camp that interprets it as “if I can get a supermodel, you can too”. Anyhow, I’m a fan, a lot of my friends are fans, and the critics can…well, you get the idea )īack to “Uptown Girl”, a good 50’s pastiche, perhaps one of his signature tunes. So does the suburban nature of both his upbringing and fanbase, because apparently being from, and appealing to, the “soulless” suburbs makes one less of an artist. Somehow the earnestness seems to bother critics. Each song, for better or for worse, seems to actually have a story behind it.
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But the songwriting craftmanship is still excellent and the lyrics actually seem to mean something (and I say that as someone who’s usually not a big lyrics person). It’s certainly true that much of his style derives from earlier periods and was in many ways out of step with the times (especially in the mid 80’s). I can understand that Billy Joel is not everyone’s cup of tea, but what I’ve never understood is why critics continually need to bash him to establish some sort of cred.
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Among those of us with deeper collections, BJ is one of the few artists whose unreleased album tracks are as well known and discussed as much as his biggest hit singles. Growing up outside Philadelphia in the 80’s I can say that virtually everyone I knew had at least one BJ album in their collection, the two (now three) part Greatest Hits album if nothing else. One thing that may not be evident to Brits is that BJ’s American fanbase is very much regionally skewed (far more than Springsteen’s for example), most specifically to the working-to-middle-class suburbs of the Boston-NY-Phila-DC northeast corridor. It’s good to see him getting a fair shake by many here as it’s pretty much a requirement to be a Serious Music Critic in America that Thou Must Hate Billy Joel, including writing at least one article about why the man and his fans represent everything that is wrong with popular music over the past 40 or whatever years…. Not entirely surprised to see this song and BJ in general be so polarizing in the comments. « CULTURE CLUB – “Karma Chameleon” THE FLYING PICKETS – “Only You” » Comments « 1 2 3 All Those endless runs of “oh-oh-whoas” are the main reason to listen to the song, and they’re a tip off as to where it’s really coming from, in spirit if not in music: not the street heat of Frankie Valli but the lusty lads-together innocence of the Beach Boys. It isn’t a record about bedding an uptown girl or wanting to bed an uptown girl, it’s a record about remembering wanting to bed an uptown girl, and boasting to your blue-collar buds that that’s what you were gonna do, and wanting to have blue-collar buds to boast to! The video makes this explicit with Christine Brinkley as pin-up come to life, but it’s in the song too, in the husky, hearty interplay of those cascading backing vox, whose prominence makes it obvious that the guys – not the girl – are the chief audience for Joel’s talk. Of course Billy Joel is smart enough to realise this, and “Uptown Girl” works because it’s history written by the winners. There’s nothing at stake in “Uptown Girl” – how could there be? Rock and roll moved uptown long ago. The street music – doo-wop and rock’n’roll – that “Uptown Girl” draws energy from was able to speak so powerfully to sexual and social codes partly because the act of addressing those codes head-on was itself a breach of them. Billy Joel pays tribute to the music of his childhood, and so inevitably there’s something childish about “Uptown Girl”: its instant singability makes it sound like a Grease outtake, except there was more sex and chemistry in Grease’s flirtatious goofery.